The weakening wind

What with the wind of the
power universal
at your back,
	Yet you whither and fragment!

So gentle a breeze as
against the streaming tide
of omnipotence
	Yet you blanch and regret!

How must the stream
of ages sputter when
corrupted,
	So will you screech and moan!

Set for the seedlings
the flexible arena,
take them apart
	And falsehoods shall your voice intone.

Weight of the prolonged

Under the weight
of the prolonged
rests the peaceful
disintegration
of a name.

			What is your hope?

It is feeling,
oozing past reality
to where experience
suffers spasmodic fits.

It is the long 
and sullen
attaining 
critical mass.

(The belief that)
with a push from
the other side,
the anguish disperses
and comes relief.

Maybe this is 
where you find
it.
In the remembering.
In the soothing.

To mean,
to suffer --
sister soldiers
of internal discourse.
To verily believe
the unbelievable.

Phillis Wheatley (1753-1784)

Phillis Wheatley holds the distinction of being the first published female African poet in the American colonies.  Her story is a dizzying tale of enslavement, achievement and the unpredictable nature of life and talent.

It’s nearly impossible to do her justice in poetic form.  While her life seems a lesson in the righteous power of the human spirit, her story is rife with irony, which makes it exceedingly difficult to honor.

Though born in West Africa, (either Senegal or Gambia) she was kidnapped, transported to the colonies and sold into slavery at 8 years old.  By all accounts she was treated *kind* and given an education well beyond what most men and women (white or otherwise) received at the time.  While developing her talents she embraced Christian dogma and the societal conditioning of colonial life, going so far as to decry the “pagan” nature of her homeland.

Her major work, Poems of Various Subjects, Religious and Moral (1773), was published prior to both the signing of the Declaration of Independence and the commencement of the Revolutionary War, putting her at the vanguard of a movement of independence that would offer no immediate relief to those in her position.  She corresponded with George Washington at the start of the Revolution (he rather obnoxiously referred to himself as her ‘obedient humble servant’) and was remarked upon by Voltaire in European literary circles.

Wheatley eventually tasted freedom upon the death of her master after which she married a free black northerner.  The couple had three children in all, two of which predeceased her, the third died only a few short hours after Wheatley herself, in 1784.  Unfortunately, her husband had not the ability nor financial wherewithal to grieve her properly.  At the time of her death at age 31, he was serving out a sentence in debtor’s prison.

I wrote the piece below in an effort to explore Wheatley’s life with its many tragedies and triumphs.  I don’t pretend the piece is fully reflective of the woman — no one poem can ever do justice do someone whose life was so complex and so curious.  I do hope, however, that the work serves as an homage to her many struggles and successes and brings to light some of the complexities of a woman history all too often neglects.

**Author’s apology — please excuse the .jpg formatting of the poem.  Due to its length and style I found myself unable to post it directly in my blog.  Hopefully the image form will not dissuade otherwise curious readers.  I believe the read is worth it.

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Shadow world

Heartbeats and shadows
patter, beating out the cadence
of the ancient lover's cry.
	
		Tense is the refrain
		secret endearments claim,
		a melting of resolve
		does not such deceit absolve.

Were all our failings so,
better that we might perceive
enchantments and phantoms.

		Oh! The tacit consent
		of sweet and innocent,
		erectors of sturdy lore
		set to avert the bore.

And then when uncovered,
pitiful in undulations, 
left to strip a quiet thrill.

		The last of those to feel
		may know of shadows real,
		such as is plain
		for lovers without name.

The knife that spoke with a buzz

This is a funny little piece I worked up after I heard an interesting story about the first use of forensic entomology — yes, using insects to solve a crime.

In the smallest nooks
live the slickest crooks,
using sharpest wares
to strike at maidens fair.

Bet that evil hounds
plumb the open grounds
as day turns to night
to exercise their might.

So in a village green
far from active scenes, 
came a man who stood beside
a newly minted bride. 

The man, filled with temper,
did her body half dismember
and escape like a breeze
before the break of eve.

But the foulest must admit
that sharper minds do acquit
the cause of justice fast
and pursue until their last.

As county men took over,
staunch as that county boulder,
and lined up all existent
observing each with insistence.

"Drop your wares friend
and let us not pretend
that the vile and refuting
will halt me in my duty."

So all spilt their wares
upon the township square.
They did look for a savior
and divine, merciful favor.

Ah, twas not god on the brain
for county copper plain,
but the nature of a buzz
around a man of woolen fuzz.

As copper proceeded toward
he soon spotted his reward.
It seems flies cannot resist
where fresh blood doth persist.

That resounding buzz upon the knife
told a tale that must be told:
the slick and vile murder of a wife
who never shall grow old.

Vibrant stunning attachment(s)

The quick twitch of the double take
imbeds a moment 
and the solidity of stunning attachment 
causes
eyes to place themselves at the world's
disposal, 
happy to dispense with responsibility.

Take 'em wherever
to places grand and small.
To faces,
legs, hips
and frames
short and tall.

Let loud voices find their homes (but
far from me though).

And let the cities and towns rebound
from so much emotion,
	concussed from so much commotion,
	that they reset the great play.
Starting again in the hopes of a vibrant,
stunning attachment.

Mirror woes, Mirror waves

I do not believe in the cheap trick and I would not say but that it needs to be said:  far more unsettling than the predictable end is the reflection of us as we live.

The mirror woes and
the mirror waves,
present 
unsettled constitution
in sedentary haze.

Poor boy!
     Poor us for living.
     That he might know
     pain and pain alike,
     and that hate is forgiven.

In every moment a
reflection.
In each a rattled nerve
less sense, scant affection.

Poor life!
     Without meaning nor worthy lament.
     Grant that we might blanche,
     not persist and persist;
     yet from birth defiling only innocence. 

Restoration is coming

I was inspired while listening to Donald Trump insist upon the need to “restore” law and order.  I hate to attribute too much inspiration to any one political blowhard, because the fact remains that the circumstances that created today’s demagogue existed yesterday and will, in all probability, exist tomorrow.  So Donald, don’t let this go to your head.

The restoration in effect,
of that ever-elusive state.
Where restful nerves and
leery eyes stick fast to 
hallowed ground.

How the calamity came to be
many manic minds never
settled.  It was, it is, may be
unto forever, but no never
mind.

The restoration will spread
like seeds along the distended
bloat.  And endure the 
sensation of prophecy fulfilled,
mouth agape and hands stolen still.

Uncle Charlie fell ill with a dyspeptic violence

In 1858, Charles Darwin corresponded with a budding young naturalist and adventurer named Alfred Russel Wallace.  Although Darwin was famous for his journey aboard the HMS Beagle, he had yet to publish his ever lengthening treatise on evolution.  Wallace, unaware of the extent of Darwin’s views, solicited Darwin’s assistance on his own evolutionary theory, which was remarkably similar in depth and detail.  Concerned that Wallace might preempt him, Darwin’s closest confidants arranged for a joint presentation of their theories before the Linnaean Society.

The brief poem that follows reflects my interpretation of that moment.

		Leading is a lonely life.
		Exudation and upheaval,
		before the type is set.

But first--and fierce--
the prize of pride,
do so many tumble for her.
	
	Then the meta-moment:
	owning up to self,
	but that pride is found
	alone in upheaval.

The songs, the songs.

Humans singing odes of joy,
taking ownership of this life.

Where are these persons?
And, where, this life?
The great minds hoping for the great feats.
Not knowing, perhaps, that hoping is willing,
willing but not ascertaining;
bending into shape to conform with desire.

The songs, the songs!  The songs we sing to ourselves.
The great echoes of desire.
Cease these songs for but a spell,
and hear the sounds of life lived.

the power of a park bench, pt 1

 

Question friends: have you ever seen a living wonder?  Who?  Where? When?

Among the many men of middling
ability and even disposition, she
found success relating to extremes.
White world, black woman –
     A truth, and not.

When twice the effort would yield
an infinite bounty, twice the effort
is all that will do.

On and on such tales go, till the moment
perched upon a park bench beyond
where any but the self may roam.
When in extremis slid past action and
tallied with emotion.  

She quaked mightily at her person,
slap-boxing stimuli rooted deep and long 
and feeling lonely 
like suffering set-adrift.

Strange times these,
with their demands.
Strange and lovely woman this, 
so apt and adept
hovering over the shadow of doubt.

 

Stand up and be counted

Take a look at the world around you
and start to add up the absurdities.
Before long you might find yourself
like the Indian King, the victim of 
an inescapable exponential progression.

Absurdities are not all.  There are 
people and places and individual 
circumstances that combine to form a
hefty dinner dressing.  The feast of
large numbers of which every person
is a part in some manner or other. 

Dissect and diagram your life according
to the irrevocable power of these
numbers and see them as the harbinger 
of the only permanence you will ever
know.  You are a part of them now,
the glowing figs of the existence tree,
and part of them you shall remain.

Beyond birth and life and the countless
tears and breaths, mistakes, 
misunderstandings and triumphs, hearts
captured and minds repelled.  None that
mean nothing, save for the permanence
that comes with being among the 
counted; that results from being among
the being.

Somehow this being is the being of "why,"
so often puzzling and scorned.  The being
of how, where, when, who and what. 

As to why? Because counted you were.  
And how? In the manner of the moment.  
Where? With those counted alike.
When? In your time.
Who? You -- among the rest.

What?  Counted is all.